On June 2, 2019, journalists, bloggers, digital activists, and researchers from the Asia-Pacific gathered together in Taipei, Taiwan for the Global Voices Asia-Pacific Citizen Media Summit to share experiences, gain knowledge, and form new collaborations. Global Voices is an international and multilingual community of bloggers, journalists, translators, academics, and human rights activists and a long time ally of EngageMedia.

It was a sunny day, and the morning looked promising as we walked into the venue, the auditorium of NTU Institute of Applied Mechanics in Taipei. The summit was equipped with simultaneous translation and live streaming for the wider audience. We live-tweeted the proceedings and the hashtag #GVAPSummit2019 even trended for a while.

The summit addressed issues like internet rights and activism, digital security and privacy, digital inclusion and development, all across two main themes: “The rise and challenges of digital authoritarianism in the Asia Pacific” and “Citizens’ response to digital authoritarianism.”

In his keynote speech, Prof. Shih-Hung Lo, the professor of National Chung Cheng University (Taiwan), Department of Communication, presented examples of digital authoritarianism in China.

Prof. Shih-Hung Lo:

“Will the Internet change China or will China change the Internet?”

In the afternoon plenary session, Andrew Lowenthal, Executive Director of EngageMedia, spoke about the citizen responses to digital authoritarianism in the Asia-Pacific.

He introduced to the audience what we do and why we do it. This was an opportunity to explain why we believe that video and online technologies have great potential for advocacy, especially in countering the challenges posed by the authoritarian regimes. He also explained that open source software can be used not only for privacy and security but also as an effective social change tool.

Most crucially, he warned about the invasiveness of corporate social media in our day-to-day lives and challenged the audience with some thought privative statements.

Andrew Lowenthal: “Using Facebook to promote digital rights is like eating McDonald's to promote vegetarianism.”

He then shared examples of how EngageMedia walks the talk by internally using open source and secure alternatives to corporate technologies. These include using Mattermost instead of Slack, Nextcloud instead of Dropbox, PGP-secured Thunderbird instead of Outlook, Redmine instead of Sharepoint, Signal instead of Messenger, and so on.

Another provocation he put forward to spark conversation was the following:

"Liberal democracies will protect us from digital authoritarianism.”

An audience member from the Green Citizens’ Action Alliance (Taiwan) responded: “Now, in Taiwan, we are anxious about our presidential election next year. We are worried about becoming the next Hong Kong!”

Others agreed that many so-called liberal democracies are resorting to options like internet shutdowns and censorship. Authoritarian regimes are using the popular discourse of “cybersecurity” and “fake news” to strengthen their control over the internet.

Lowenthal emphasised the need to create networks of like-minded activists, video makers, journalists, and artists:

“We need movements to pressure decision makers. We need relationships, organising, and effective communications to build movements.”

But how do we do move forward using technologies that are being used to repress us at the same time? We at EngageMedia continue using and exploring non-corporate platforms and revisiting old-school approaches like RSS, newsletters, and communicating offline. We believe these efforts contribute to keeping spaces open for critical thinking, dissent, and discussion.

So what is the future of digital rights in Southeast Asia? “A lot depends on the public awareness of digital rights & cybersecurity,” a panelist responded.

“However, censorship & surveillance have always been with us. It’s just that the technology is new. But we don’t have to be pessimistic.”

From 28 May to 1 June 2019, the Foundation for Media Alternatives (FMA) organised a Digital Rights Camp, a gathering of journalists, artists, activists, and human rights defenders to reach out and introduce digital rights to advocacy groups in the Philippines. Dianne Olivan, project assistant of EngageMedia, attended the camp and the FMA website published her commentaries on the proceedings of the gathering and the digital rights situation in the Philippines.

Some excerpts from the post:

The camp aimed to introduce digital rights to more members of the local human rights field. Through open space facilitation, which allows participants to collectively steer their own learning experience, we were even given the power to propose or attend any session that reflected our goals for participating.

We need more events like the FMA Digital Rights Camp that involve and breed young digital rights advocates in the country, whom we hope to work with on more promising partnerships, projects, and networks.

In the same spirit, EngageMedia will organise Coconet II: Southeast Asia Digital Rights Camp in October, and we hope to highlight that while there is a need for a unified global and regional network, there is also an evolving and even stronger need for local collaborations.

Read the rest of the post here.

Organisation: Paradoc

Country:​ Indonesia

Founders: Linda Nursanti and Mada Ariya Putra

Paradoc is an organisation of filmmakers who work together to create social change using audiovisual media. On their website, they say "Video for Change" is their main type of work.

One of their most talked-about films is Lakardowo which paints a vivid picture of the people's resistance to environmental pollution by a waste treatment facility in Mojokerto regency, East Java. PT PRIA operates this facility. The residents of Lakardow village have been suffering from groundwater contamination since 2010 and the pollution is also affecting socio-economic and environmental processes in the area. Women and children comprise the highest number of victims.

Paradoc has received multiple nominations for their works to-date, including the nomination for “Best Feature Documentary” at the 33th Indonesian Film Festival 2018, “Best Feature Documentary (Bekantan Award)” at the 11th Borneo Environment Film Festival 2018 and an Official Selection (Lanskap Program) at the 17th Yogyakarta Documentary Film Festival 2018.

We talked to Paradoc to learn more about their work.

EngageMedia (EM): What motivated you to form Paradoc?

Paradoc: The name “Paradoc” is based on Mada Ariya Putra's idea of “paradox”. The founders are Linda Nursanti and Mada Ariya Putra who had the vision and mission to make documentary films for social change. It was established in 2016 during the production of a documentary film called Lakardowo Mencari Keadilan - Finding a Fairness in Lakardowo.

EM: Why did you choose the Lakardowo village in Mojokerto for your documentary?

Paradoc: Originally we made the documentary as a part of our educational requirement at the Indonesian Institute of the Arts in Surakarta city. During the research process, we realised that this film could have a larger impact and the Lakardowo environmental issues warranted a larger campaign because this was not being talked about in the mainstream media.

This film reveals that PT. PRIA is dumping hazardous and toxic materials (B3 waste), which is damaging the environment of the nearby areas. The community has criticised the lack of safety and suffering caused by this pollution, which has arisen from industrial growth in the area.

This industrial growth cannot be sustained by maintaining a B3 waste treatment plant and dumping such waste. People, who do not know the dangers of these hazardous materials, think that they are like ordinary sand, so many sell them for building materials. After repeated protests, the government still hasn’t prevented the dumping of hazardous wastes or taken action against industry players that produce waste.Therefore, this film has a big mission.

EM: How did the people of Lakardowo respond to your efforts to make a film about them?

Paradoc: People first welcomed the idea but still approached us carefully, because we were “outsiders”. They were already disappointed with the promises of people (local leaders and politicians) who said they were helping them but were not. Personally, I learned about this case from Ecoton Indonesia, an NGO that has been working with the Lakardowo villagers for a long time. So our initiative got a positive response from the community because they knew we are referred by Ecoton.

EM: Were there any lessons from the film-making process ?

Paradoc: There were many lessons from making this film. For one, we felt that motivation was a must for such filmmaking. The motivation also developed after learning about the conditions or treatments that we have experienced, which could be channeled through the film. This gave a kind of soul to what we really wanted to say. The documentary film also provided information and education to help activists, advocacy media and, especially, the residents of Lakardowo village.

EM: How did the audience respond to this film?

Paradoc: We have seen a lot of enthusiasm from audiences  and there has been a high number of requests for access to the film we received after screenings. It was screened in many cities in Indonesia, such as Mojokerto, Yogyakarta, Solo, Tangerang, Jombang, Pasuruan, Malang, Bogor, Denpasar of Java island as well as cities in the Aceh province in Sumatra island and many more to come this year. After watching this film, many decided to show solidarity to the Lakardowo area and its people by visiting them and offering help to the people on the ground.

EM: Do you have any further thoughts about the film you would like to share?

Paradoc: We saw  how some members of the audience were emotionally affected after watching this film. They learned for the first time about the dangers of hazardous B3 chemical waste and were appalled by how slow the government response is. This triggered many people, mostly university students, who announced solidarity and pledged to travel to Lakardowo. So the audience took it personally.

EM: Does the online distribution of video help or not?  How can we strengthen the advocacy process further?

Paradoc: It is very helpful. With an online network, we can reach more general public audiences. But these activities are never enough. We need to collaborate with other communities or groups to get more support for the cause. Besides the online engagement and the demonstrations in the field, it would be good to increase support by using media art such as music, film, graphics, speeches to talk more about the issue.

EM: What is your plan?

Paradoc: We are currently finishing another film project The Ant and The Elephant. This is also related to the Lakardowo problem. This film will emphasise the ongoing struggle of the people of Lakardowo, especially during the legal battle, which is one of the ways the villagers are fighting the industry giant. The difference from the previous film is that this will be from a more personal and intimate perspective.

Ahu Parmalim is a short documentary film by Indonesian foundation Kampung Halaman. Founded in 2006 in Yogyakarta, Kampung Halaman offers a space for young people to learn and understand the potential and challenges within their own environments through media. Kampung Halaman focuses on young Indonesians, whom they invite to make video diaries. These diaries are participatory video processes, facilitated by more experienced video-makers, and rely more on the process, than end-results. Final videos are screened locally, followed by discussions with stakeholders. Kampung Halaman runs an online video depot where hundreds of video diaries are archived and made available.

Ahu Parmalim translates to: ‘I am a Parmalim’ in Batak, the local languages spoken by the Batak people in Northern Sumatra. The short documentary follows 17-year-old Carles Butar Butar going about his daily life in Northern Sumatra. Carles is a Parmalim, an active follower of the Malim religion (Ugamo Malim). Viewers are acquainted with the religious practices of Ugamo Malim and get to know Carles as a friendly, diligent and intelligent young man. He is well respected, performs above average in school, and is highly devoted to his religion, family, and his country. Notwithstanding his simple background, his parents are farmers earning just enough to survive, Carles, dreams of becoming a policeman. Through Carles inquiries, we also learn that believing in ‘the one true God’ is a mandatory condition for becoming a policeman in Indonesia.

Every Indonesian citizen is free to choose his/her religion, a right clearly stated in article 28E of the Indonesian constitution. Nonetheless, minority groups and adherents of indigenous beliefs, such as Ugamo Malim, have always been subject to discrimination. They have to struggle not only to receive recognition and protection from the state but also to gain equal access to various public services. Carles’ case is no different. “We learned that Carles was rejected to join the Indonesian Police because he was not a follower of one of Indonesia’s main religions” explains Chandra, manager of education and technology at Kampung Halaman.

This simple, yet intriguing short documentary, made on the sidelines of facilitating video dairies with teenagers in North Sumatra, has been able to open up discussions in Indonesia about religious freedom and tolerance. Ahu Parmalim premiered on International Tolerance Day (16 November 2017) at 40 locations across Indonesia simultaneously. Within three months it was screened over one hundred times. As we near the end of 2018, Kampung Halaman still receives requests for screening. Ahu Parmalim has been screened and discussed all over Indonesia, in Australia, Malaysia and toured briefly in the USA. Initially, screenings took place through network organizations of Kampung Halaman. Hosts received a screening guide and various one-minute animations movies (2 examples of which can be seen at the start of this video) were prepared to introduce and provide background information on key topics.

A special website (in Indonesian) collects past and upcoming screening dates and locations, gives background information, has an online form to collect screening reports and documentation, while those interested in hosting a screening can send in their request here.

After initially posting the film online, Kampung Halaman decided to take it offline and only share it directly with those interested. “We were doubtful that just counting hits would allow us to measure any real impact of the film,” Chandra explains. “The fact that Ahu Parmalim has vastly surpassed its initial goal of twenty screenings and the many comments we are getting from screenings are better indicators for its impact.”

The success of Ahu Parmalim is in part due to national events, occurring completely out of the film-makers control. A ‘landmark ruling’ by Indonesia’s constitutional court, late 2017, officially affirmed the rights of devotees of faiths outside Indonesia’s official recognized religions. From now on these devotees no longer required to identify as either Muslim, Catholic, Protestant, Hindu, Buddhist or Confucian on their national identification cards. This decision and the media whirlwind it stirred in Indonesia provided tremendous momentum for Ahu Parmalim, with many audiences seeking to understand what these ‘alternative faiths’ actually entail. The timing of the release of Ahu Parmalim could therefore not have been better. The director of the film, Cicilia Maharani, acknowledges this fact:

“We are grateful that finally, the film found its own audiences. The discussions after the film screenings created a better understanding of local religion believers like Carles.”

Watch an interview with Cicilia Maharani, the director of the film “Ahu Parmalim”.

We called it “Tutur Ufuk Timur”, which means Tales From the East Horizon. It is a series of screenings and discussions of videos from Papua initiated by Papuan Voices (PV), EngageMedia and a number of local organisations. The roadshow traveled across six cities in Java from 17 to 26 November 2018, screening mainly films from previous iterations of the Festival Film Papua (FFP).

On 17 November, we began our journey from the west side of Java in Jakarta, Indonesia’s capital. From there, we traveled to an area which much higher altitude: Bandung; co-organising a screening on the 19th with AKATIGA. In the succeeding days, particularly on the 20th and 21st, we were able to have screenings and discussions at the Pusat Studi Sejarah dan Etika Politika (Center for Historical Studies and Political Ethics) at the Universitas Sanata Dharma in Central Java. Much to our delight, we were received with a good number of audience. We then arrived in Semarang on the 24th for an event at the Hall of Santa Theresia Church in Bongsari. Next, we moved to Solo for another event in Rumah Banjarsari on the 25th.

We culminated the tour on the 26th by organising an event in Teater LTC (Learning Training Center) at the Universitas Kristen Satya Wacana in Salatiga. Collectively, around 250 students, researchers, film-makers, clergymen, journalists and human rights and environmental activists.

For a long time, the story of Papua, particularly West Papuan provinces, has been disseminated to other parts of Indonesia through images and narratives produced by state-owned and private broadcasting and print media institutions. To add, West Papua has a few independent media outfits that produce featured films, documentaries and visual news reports, but they do not have enough reach. Through mobile film screenings and discussions we have organised across cities in Java, the aim of EngageMedia and PV was to change the perception of ordinary Indonesians towards the struggles of residents of Papua and West Papuan provinces. In addition, these sessions served as a platform in strengthening external communication capacity of the PV community in order to reach a wider audience.

As we go travel from one city to another, we witnessed the enthusiasm of young people in fighting for social justice and the environment, especially in Papua. Thus, we believe that these screenings and discussions provided the best platform for the PV community to capture feedback, criticism, and suggestions on their work directly from its audience.

Since its inception, films produced by the PV community have been used primarily as media advocacy tools in campaigning about environmental and social justice for West Papua. Previously, EngageMedia and PV have collaborated with other communities that also include educators and researchers. Now, due to its evident potential, EngageMedia and the PV community have been collaborating in organising training programs in Papua to teach filmmaking to local youths.

In 2017, the PV community successfully hosted the first independent film festival ever to be held in Papua: the Papuan Film Festival. It was considered as a benchmark for the film movement in the area. In fact, documentary films that were screened during the festival encouraged young Papuan film-makers to continue producing films that show their struggles as a Papuan and a human being. In addition, the storytelling tradition of their indigenous community helps those who were able to watch their documentaries in sharing its stories with wider and more remote communities. We believe that this also builds awareness among communities on various events, past and present, in a dialectical nature. Moreover, it contributes to the collective effort of discussing civil, political, economic, social and cultural rights of indigenous peoples; and helps initiate a movement towards environmental sustainability for future generations.

The second Papuan Film Festival was held in August this year in Jayapura, Papua. With the theme, “Indigenous Papuans Struggling in the Face of Modernisation”, the festival aimed to increase public awareness on critical issues faced by the indigenous Papuans; and emphasise their role in economic and infrastructural developments in the region.

During the “Tutur Ufuk Timur” roadshow, the majority of the audience who came to watch the films were young educated Indonesians who have daily interactions with colleagues from Papua and West Papua. Papuan students who live in the cities along the roadshow’s itinerary actively participated in the discussions to provide additional context for the films being screened. We are continuously trying to organise this project because we believe that what hinders regulatory and political changes in Papua and West Papua are not institutional issues; but the biased reporting of the mass media that involves discriminatory narratives, intervening and suspecting political expressions as a threat to our national security. This harmful framing continues to be augmented by intolerant groups acting on behalf of the greater Indonesian society.

We sincerely hope that initiatives such as “Tutur Ufuk Timur” will create more platforms for the Indonesian civil society wherein they are able to discuss and understand the real struggles of those in Papua and West Papua.

From October to December of 2018, EngageMedia went to five Southeast Asian film festivals to share its learnings on social issue documentaries, impact distribution, digital security and Video for Change.

Filmmakers and activists who attended the Video for Change Discussion in the

Freedom Film Festival - Mending the Gaps

First stop was the 2018 edition of Freedom Film Festival (FFF) in Kuala Lumpur, Malaysia last October. Now on its 15th year, FFF is the biggest human rights-oriented film festival in Southeast Asia. Highlighted this year were the Orang Asli or indigenous peoples of Malaysia; who in the past years have been battling the encroachment of big business in what remains of their ancestral domain. Film screenings, performances and various discussions depicting their situation were held throughout the film festival.

Melawan Arus traces the undercurrents beneath the waves that swept

Meanwhile, the closing film Melawan Arus by Arul Prakkash documented the power shift from The United Malays National Organisation to Parti Pribumi Bersatu as narrated by veteran Malaysian activists. The intense discussion during the open forum that followed after the screening reflected the overall feeling of Malaysians prevalent during the duration of the festival--that of desiring to push for as much change that is possible under the new political situation.

Here is an interview of Anna Har and Brenda Danker of the Freedom Film Network we published last year where they talked in details about the 2018 festival "Mending The Gaps".

During a session with the Freedom Film Network, EngageMedia featured its advocacy in using Video for Change; particularly in its initiatives in West Papua and Papua region in Indonesia and through the Video4Change Network.

After the screening of Black Code, a documentary on the global impact of the internet on free speech, privacy and activism, EngageMedia co-facilitated a Digital Activism Workshop with WITNESS Asia. It explored online privacy and the right to expression, and how to best utilise video, mobile phones and technology for digital advocacy.

13th Jogja-NETPAC Asian Film Festival

The Jogja-NETPAC Asian Film Festival was founded in Yogyakarta in 2007. It is one of the initiatives of the Network for the Promotion of Asian Cinema (NETPAC), a worldwide organisation founded in 1990 to promote greater understanding and appreciation for Asian films and filmmakers. It has presented the prestigious NETPAC Award for Best Asian Film at 30 film festivals in various countries throughout the world, such as Berlin, Rotterdam, Warsaw, Moscow, Jeonju, Busan and Hawaii.

EngageMedia was invited to the 13th Jogja-NETPAC Asian Film Festival with “Disruption” as its central theme. During the festival, several special screenings, discussions, public lectures and educational sessions took place in various venues across Yogyakarta. On the 30th November, EngageMedia’s Pitra Hutomo and Egbert Wits organised a community forum on social impact and video for change for an audience of about 40 film-makers, activists and students. Read more about it here.

Active Vista International Human Rights Film Festival

Amidst Philippine President Rodrigo Duterte’s war on drugs, misogyny and attacks against his critics, the sixth of the Active Vista International Human Rights Film Festival was launched in Manila last 26 November 2018. This year’s theme, “Imagination”, sheds light on the real stories of human rights struggles despite the dark cloud of disinformation and hate dividing many Filipinos.

We're holding a session on #Video4Change for #ActiveVista Film Workshop in QC, Philippines as part of #AVHRF2018 #AVFest2018 pic.twitter.com/CUc7GwIqoN

EngageMedia facilitated a Video for Change session in the Active Vista Film Workshop, a workshop series that integrates human rights and art advocacy into filmmaking. Attended by young and vibrant filmmakers from various backgrounds, the session was culminated by the collective realisation on the need for more impact distribution efforts of filmmakers, film producers and civil society in the Philippines.

29th Singapore International Film Festival

Fourth stop is the longest-running and largest film event in the Little Red Dot, the Singapore International Film Festival (SGIFF). The festival was widely attended by international film critics who are on the lookout for local and regional talent, as well as emerging trends in Asian cinema. Parallel events like masterclasses, fora and panel discussions hosted by the most prominent personalities of Asian cinema provided opportunities for emerging filmmakers to expand their horizons and to see what is in demand in the sphere of contemporary film festivals.

EngageMedia led a session entitled “Social Issue Documentary and Impact” in SGIFF Connects, a networking session where organisations can hold talks and preview new works. It was attended by an audience of different backgrounds including students, filmmakers and civil society.

It highlighted the idea of Impact Pathway; and the Values and Methods of Video for Change, two key concepts in the Impact Handbook which will soon be released by EngageMedia and Video4Change Network.

Past SGIFF Connects collaborators include Netflix and the Motion Picture Association of America.

Press Pause Luang Prabang

The Luang Prabang International Film Festival is emerging as one of the most significant film festivals in Southeast Asian; but, the organisers were not able to secure a permit from the Lao government last December 2018.Nevertheless, we attended PAUSE, a festival with film screenings, cultural exchanges, and more, which were freely accessible to the public.

If public screening of films like Edmund Yeo’s We the Dead and and Anucha Boonyawatana's Malila: The Farewell Flower had pushed through, the projection would have been a beautiful complement to the unique architecture of the UNESCO Heritage Site of Luang Prabang.

EngageMedia’s Executive Director Andrew Lowenthal and Video4Change Coordinator King Catoy were two of the panel members of the Film and Social Change Discussion.

They had the opportunity to share their past learnings on the subject matter. King shared the experiences of alternative media groups in the Philippines in filming marginalised sectors; as well as these films’ impact on both online and offline discourses about the worsening human rights situation in the Philippines.

Andrew, for his part, reiterated the role of video in bringing positive change to affected communities facing discrimination, and other issues in the context of EngageMedia’s work.

Reflection

The last four film festivals written here took place within an exhilarating period of two weeks. We had the unique opportunity to see the most relevant films from the region, and even meet some of the filmmakers behind them. It was also an occasion to meet up and coming filmmakers looking for possible collaborators outside the commercial industry who are willing to share their cinematic vision.

Cases of Online Censorship in Southeast Asia

In 2017, a game called Fight of Gods was blocked by the Malaysian Communications Multimedia Commission (MCMC), as it is a “[t]hreat to the sanctity of religion and interracial harmony in the country”. Similarly, both Malaysian and Indonesian governments were found to be blocking FanFiction.Net, due to its contents’ homesexual and erotic nature.

Without announcements or justification from the government, it would be difficult to figure out if censorships are being done. We have seen numerous examples of governments’ campaigns against certain types of content that violate their laws and/or values. But how vulnerable is this power to censor content to abuse?

In 2017 as well, 161 websites was banned by the Indonesian government, which included sites that cater to the LGBT community, an independent news outlet based in the United States and a blog that features criticism for the current government. No news, no anything from the government. However, using one tool, Indonesians learned that their access is being controlled by the government.

While there are more sophisticated and time-consuming strategies to measure censorship, Tor Project, which is in the forefront of censorship circumvention and privacy-centric initiatives, developed a much simpler tool that can be used by anyone around the world: the Open Observance Network Interference (OONI) Probe. This very tool helped in realising and validating the censorship of 161 active websites in Indonesia.

What is OONI

Formulated in 2012, OONI is a “free software [and] global observation network for detecting censorship, surveillance and traffic manipulation on the internet.” As freedom of speech and censorship on digital platforms are relatively new concepts, there are little to no tools that can measure blocking. Unlike traditional censorships in form of shutdowns, similar to the recently ended powering down of TV stations in Kenya, that can be immediately observed with the lack of aired shows and news on TV, journalists and advocates did not have any capacity or knowledge of a tool that would help in proving instances of online censorships in seemingly democratic countries. OONI ultimately aims to answer this.

What OONI Does

In order to do this, OONI runs the probe daily using a working test list of pertinent websites mainly identified by CitizenLab. Each country has its own working test list, which can be downloaded and updated by anyone who is interested. The probe tests censorship per internet subscription or network, as one website can be censored in one, and be completely accessible in another. This is extremely helpful in uncovering and analysing rationales behind every censorship, may it be to hinder the public to in receiving information or due to hidden corporate interests.

OONI Probe Mobile App

In their desire to operate the probe holistically and involve a much wider set of stakeholders, OONI also developed a mobile app which is available both on Android and iOS devices, which is more accessible and easier to use for the common people. With the prominence of messaging apps such as Facebook Messenger and WhatsApp, the app can be easily used to see if a network blocks access to these apps. Moreover, like a bonus feature, the app also has the capacity to conduct a speedtest. These accessibility features resulted to more people using the app and contributing to the fight for freedom of speech and right to information.

EngageMedia and OONI

EngageMedia continues to explore how it can maximize existing initiatives like OONI to the strengthening of digital rights advocacy in the region. This year, EngageMedia sent a representative to attend a regional workshop on testing and collecting evidence of network interference organised by Sinar Project. This workshop participation led to a small-scale collaboration project of doing baseline probe testing & analysis in the Philippines. [Keep posted to the Link of the Report on the Testing].

Opportunities for Collaboration

OONI, as a platform, is a relatively young initiative and is not without faults. In fact, there were a few instances where evidences of censorship were false positives. It is still in continuous development and needs all the help it can get. Anyone who is willing to contribute to testing and/or finalising test lists can do so by contacting OONI directly at contact@openobservatory.org.